This film is not just an adaptation of Daniel Defoe’s 1719 novel Robinson Crusoe. Rather, it addresses the larger cultural myth that has grown from the premise of the book: a white man ‘civilising’ indigenous inhabitants of an island, and claiming the territory as his own property. In a time today when the call to decolonise the artworld and its associated institutions has never been more urgent, Deboosere's cinematic intervention resonates with a large body of work seeking to destabilise and re...