A young woman (Arielle Friedman of "Unholy" & "Good Boy") consistently conjures the likeness of her ex-lover in her grief-addled home. Her building's maintenance worker (Mark Wallace) enters her life, offering the potential for a new relationship long before she has processed the former. This ‘in-betweenness’ defines the piece; dreams are treated as temporal imprints, rather than subconscious fantasies. One relationship colors another. General Maintenance encourages us to consider that our bodi...