In December 2012, Kodak stopped producing celluloid, which meant the end of one era and the beginning of another for the cinema, with digital technology settling industrially around the world. It also had a fulminating effect on Ernesto Baca, one of the pillars of experimental cinema in Argentina. Requiem for a forgotten film begins with that emotional blow, with the director in the first person, in a proposal that intercalates biographical elements (his life in Florencio Varela , the relationsh...